Dear Reader,
If you have reached this part of our website, I want to thank you for your time and consideration. I am delighted to welcome you here!
For a bit of context, my name is Camilla van Hoogstraten and I have been working the South African art industry for over six years. I am the founder of oeuvreart.com and œuvre projects, platforms that specialise in promoting emerging and mid-career independent artists, with the ultimate goal of creating more equity in the arts.
Through my experience, I have had the privilege of connecting with innumerable art lovers, collectors and artists both locally (in SA) and internationally. It has been inspiring and invigorating, and I remain eternally grateful for the connections that I have forged with like-minded individuals through art.
The art industry, like any other, is not without its challenges. Working in both a gallery setting and in an online sphere, I noticed that many art lovers weren't able to collect and live with meaningful works by artists that they connected with, largely as a result of price barriers. Prices also often restricted the sizes of the works that many collectors could afford. As a result of these barriers to entry, people started acquiring art from department stores for their homes without realising that these works do not yield any benefits for artists or the artistic community.
Every acquisition matters for artists on the continent, particularly bearing in mind that a large proportion of artists grapple with financial instability. In South Africa, patronage is hard to come by and we receive little-no government funding for the industry at large. For these reasons, artists really struggle to pursue their creative practice as a full time career and finances inhibit the capacity to create.
Enter 2024: œuvre was born in order to provide greater access to quality, contemporary art, while encouraging more people to invest in artists and their success. Our model seeks to facilitate a more consistent income stream for artists in between projects in a responsible manner - a manner informed by experience that seeks to honour their broader practice and market.
I hope to encourage people to collect outside of 'trends' and to rather focus on value-driven collecting. By collecting or promoting art based on 'trends', particularly in the context of African art, we can unintentionally reinforce systems that have ignored, dismissed and actively erased marginalised voices for centuries. African art is not a trend - the continent has a wealth and breadth of knowledge, skill, and ideas that should form the foundation of a sustainable industry. I was particularly drawn to art posters, as posters have long documented social and creative movements in history. Over time, we hope to build an archive that captures the zeitgeist of our ever-evolving present.
Art holds the power to inspire, to unite, to transform, and I believe that its magic deserves to be shared with as many people as possible. I want to work towards more inclusive, community-oriented art world that centres and protects artists - the great minds, and out-of-the-box-thinkers - of our time.
Thank you for reading - I hope that we shall meet soon!
Warmest wishes,
Camilla (Mother œuvre)
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